Consuming media

The Good Place, Essay 1: Female friendships

My latest television obsession is The Good Place, a show about the afterlife, and a woman who isn’t supposed to be there. It’s pretty clear from the start that Eleanor has been sent to the Good Place by mistake, as they think she was an important humanitarian when in reality she sold fake pharmaceuticals to gullible elderly people. She is introduced to her afterlife soul mate, Chidi, who is an ethics professor. He agrees to help hide her identity and teach her how to be a good person to fit in. Their neighbors are Tahani, a British philanthropist and her soul mate, Jianyu, a silent Taiwanese monk.

The two other main characters are Michael, the immortal being  in charge of the Good Place, and Janet, the friendly AI who keeps it running. But they’re not discussed much in this post.

This show is brilliant, philosophical, and hysterical. I’ve been wanting to write my thoughts for some time, and am only now getting to it. Holidays, y’all. You know. (Did you have a good new year?)

Unfortunately, to blog about The Good Place, I’m going to have to spoil the hell out of it. This show has a lot more to spoil than the classic “will they/won’t they” sexual tension. So if you haven’t seen it, please please please go watch it and then come back to my post. Unless you like being spoiled. I’m not judging.

Eleanor and Tahani bond

Spoilers ahead. Don’t say I didn’t warn you.

It turns out that Eleanor isn’t the only fraud. The silent monk is actually a pre-successful professional DJ from Florida (JACKSONVILLE!) named Jason, who’s basically a guy with a toddler’s brain – he has a heart of gold, is an idiot, and really doesn’t know right from wrong.

The best way to get to know Jason is to know how he ranks the F&F movies. Number 5 is Number 1.

While there’s not a lot of sexual tension in the show, Eleanor and Chidi do bond, as he is impressed with her growth and she appreciates his dedication to helping her stay in the Good Place, even though it means he may never meet his real soul mate. And Chidi, an intellectual like Tahani, helps Jason do things for her that she would appreciate, Cyrano-style.

In the Season One episode, “Chidi’s Choice,” a whole lot of stuff happens. Eleanor realizes she’s in love with Chidi. Tahani find’s out Jianyu/Jason is a fraud and that Chidi has been helping him talk to her. And the “real Eleanor” (Chidi’s real soul mate) is back from The Bad Place in order to change places with the Fake Eleanor.

The episode gives a lot of back story to Chidi: he has trouble with decisions, and we get a flashback to his childhood where, after his failure to pick kids for a soccer team, his best friend says, “Way to go Chidi. You just filibustered recess!” However, the real shining point is the relationship between Eleanor and Tahani.

After her realization, Eleanor sits Chidi down and gives him a very sweet, very clumsy, kind of insulting proclamation of love. “You’re way more of a buzzkill than any [former boyfriend] and yet I never want to leave you!” Then Tahani barges in and says she knows Jianyu is a fraud, and that Chidi has been helping him, which proves Chidi loves her. Chidi is shocked, and deals with it in a very Chidi way.

How Chidi deals with affection from two women.

The two women are left alone with the discomfort of realizing they want the same guy. They begin to argue, and then Eleanor stops and takes the story in a direction THAT NO OTHER SHOW HAS EVER GONE IN THE HISTORY OF TELEVISION.*

She says, “No. We are not going to be those women that fight over a guy. We have a weird, forked up friendship, but it’s our friendship.” And then she says they’re going to spend the day together.

They do something Tahani wants to do, which is watching a classic BBC comedy about a sophisticated woman and her friendship with an uncultured idiot, and then they do something Eleanor wants to do, which is give Tahani hair extensions. “These are real cheap. You’ll want to stay away from open flames and altercations at outlet malls.” Then she apologizes for hiding Jason/Jianyu’s identity from Tahani. Tahani forgives her.

More happens, like they wonder if Jason and Eleanor are soul mates, and then they find out that Jason has proposed to Janet the AI because she’s the only person who’s nice to him, and she has accepted. Eleanor and Tahani arrive to witness their wedding, which is one of my favorite weddngs in all of television and includes vows like, “Janet, my digital queen. We can dare to dream. Send nude pics of your heart to me. Jacksonville Jaguars RULE!” but that’s beside the point.

My favorite takeaway from this episode is that it introduced a love triangle and then sidestepped it ENTIRELY. Chidi does make a decision (we don’t know what it is), shows up to tell them, but they brush him off saying they both may have been mistaken regarding their feelings, and besides Tahani has an idea how to keep Eleanor in the Good Place for good, so they run off to figure that out. Chidi is left behind, having no knowledge of the Jason/Janet whirlwind romance, watching them dance at their wedding and repeatedly saying, “What?”

Thank you, Good Place writers, for giving two women a deeper friendship that isn’t focused on mooning over men, competing over men, or discussing what woman to backstab to get ahead (or get a man).

NEXT FEW BLOG POSTS: I discuss Mindy St. Claire and the male gaze, and come up with a way to make my two favorite bit characters, Tahani’s sister Camilla and Jason’s best bud Pillboi, regulars on the show. And also we must discuss why, on a scale from 1-13, 8 is the highest.

Pillboi
Pillboi
Podcasts, Projects

Ditch Diggers #51: End of the Year Spectacular, guest starring Hurley and Wendig!

  • The Ditch Diggers come to you live from Morgan Freeman’s Nicer-Than-Chuck-Wendig’s-Writing-Shed with special year-end episode spectacular guest co-hosts, Kameron Hurley and Chuck Wendig!
  • We briefly clarify who the guests are and who the hosts are, and talk about the momentous completion of the Hurley/Wendig Trilogy on Ditch Diggers (Matt insists there will be a “third act twist” which leads to an argument about what constitutes the third act in this scenario).
  • Everyone recaps their 2017 as writers. Hurley talks about throwing out two-thirds of a new book. Chuck talks about only focusing on a single book for a change (as he usually writes approximately 7,574 books per year). Mur talks about the sale and release of Six Wakes. Matt laments many personal hurdles that added height to professional hurdles.
  • Einstein had sex with everything, including James Joyce, which segues into Hemingway/Fitzgerald slash fic (briefly, but notably).
  • A digression into grandmothers, Nazi boots, radio turkeys, hills and valleys and the difference between the two (Matt is the only one confused by the old idiom, apparently).
  • The foursome discuss Hollywood, and the differences between the film/TV industry and the publishing industry.
  • Everyone looks ahead to 2018 and discusses their plans, hopes, and fears (spoiler: those are all basically the same thing).
  • The recent Patreon debacle, what happened, what it means, and what it signals for authors, and all freelance creators, in the future.
  • Everyone performs their final shilling of the year, and we wish everyone a much better 2018!
  • Chuck Wendig: terribleminds.com
  • Kameron Hurley: kameronhurley.com
  • Hurley’s Patreon: patreon.com/kameronhurley
  • Hurley’s Tip Jar: paypal.me/KameronHurley
  • Hurley’s newsletter: bit.ly/hurleysheroes
  • The Stars Are Legion: http://a.co/1NpquVn
  • Invasive: http://a.co/2JVKIw0
Books, Projects

ISBW #388: End of Year Thoughts

Time for those end of the year pontifications, where I talk about the immolation of Patreon, thoughts for future features of the podcast, and some thoughts about extended universes in general, and The Last Jedi in specific. (No spoilers.)

I also say it’s #387 but that was a guess, and it’s wrong. It’s #388.

Happy holidays, and thanks for listening all these years!

Podcasts, Projects

ISBW #387: Learning to strike out // Jacob Sager Weinstein interview [REPOST]

I’ve had some website issues lately, and this went up on the temp website, but not this one, so I’m posting this if you missed it, and the new one will go up tomorrow.

Thanks for your patience!

This one is all about WHY it’s all right to write poorly, and what it can teach you.

Guest: Jacob Sager Weinstein

News

Patreon done F’d up real good

Because it’s swirling all around me, I assume everyone has heard of the mind-boggling change to the Patreon fee structure. But since some of my followers just got the news I had a Netflix option (which has since run out; they had it for three years), I will spell it out for you.

  • Before: You pledge $1. You pay a dollar. Patreon takes a fee (apparently it varied anywhere from 12-20%). I get the rest.
  • Now: You pledge $1. You pay $1.38. Patreon takes a fee, I get the rest. (The math: where Y is your pledge, (Y x 2.9%) + $.35.)

Patreon is trying to sell it as the creator gets more money and we all want that, right? Under the new structure, creators take home 95% of the money. But they passed the fees on to you.

Well, 38 cents isn’t really a big deal, right? You can barely park in a city for 15 min on that. But here’s the catch: that’s 38 cents per person you support with $1.

Many people like to spread their support around, throwing $1 pledges at several creators. Before, if they supported 10 creators, they paid $10. Now they are charged a fee for every pledge, so they will pledge a total of $10 and pay nearly $14.

Now it’s starting to look kind of sketchy. OK. Really sketchy.

Choosing to increase your fees, or ask for more money, is a frightening job for creators. We are often on limited budgets, and are humbled and amazed that someone wants to give us even a dollar. And for me at least, the one dollar supporters add up. I make not-insignificant money from those dollars.

The result of this? My canceled pledges for the last day:

Screen Shot of Patreon Support loss
This is very minor compared to a lot of people’s.

Supporters are leaving. I have lost a few, and many more have reduced their pledges. I know creators who have lost dozens. I don’t blame the supporters at all; I support many people and am going to have to look at my own pledges and decide how I want to spend my money based on my fee increases.

So what do we do? Let Patreon know we’re unhappy, that’s for sure. But I’m looking into other options. Currently, you can support me via PayPal Me and Buy Me a Coffee These are less than ideal solutions since they aren’t based monthly and a reward structure is MUCH harder to handle. But if you feel the need to leave Patreon but still want to support, you can. There are other crowdfunding sites I’ll be researching today, so I’ll keep you informed.

Thank you for all the support you give me.