Posts Tagged ‘hugos’

Meta, News

2021 Award Eligibility Post

Award Eligibility: Escape Pod eligible for Best Semiprozine, Mur Lafferty and SB Divya eligible for Best Editor (short), I Should Be Writing and Ditch Diggers eligible for Best Fancast.

2021 was an editing year for me. This year I’m excited to publish a novel (Station Eternity out in October) and novella (“The Ophelia Network” out May 26), but I didn’t have any fiction out last year. I did, however, do plenty of work on Escape Pod and my podcasts, I Should Be Writing and Ditch Diggers.

Escape Pod is eligible for Best Semiprozine. Last year we had over 2,000,000 downloads of our weekly science fiction stories. In the past the magazine has been nominated for 2020, 2019, and 2017 Hugo Awards.

SB Divya and I are eligible (together) for Best Editor (Short Form). We have been co-editors in chief at Escape Pod for over …five? years now? In addition we did an anthology for Escape Pod’s 15th anniversary in 2020. We were finalists on the ballot for the first time for the 2020 Hugos.

I Should Be Writing is still going strong at season 18, and is eligible for Best Fancast. I took the show to Twitch to record it live, which has changed up the show’s energy considerably. In 2021 I released 85 episodes and download numbers reached half a million (that’s 500,000 if you like the zeroes). It has never been nominated.

Ditch Diggers is also eligible for Best Fancast. The show had some hiatus time last year, but Matt Wallace, several guest hosts, and I still managed 23 episodes with around 50,000 downloads. It was a finalist for 2016 and 2017 Fancast Hugo Awards, winning for 2017.

News

The Hugo Finalists have been announced (burying the lede)

I am stunned, honored, and humbled (and proud- can I be proud and humble? The jury is out) to say that I have been nominated for three Hugo awards this year. Fancast (Ditch Diggers), Semiprozine (Escape Pod), and Novel (Six Wakes).

I got an email about Ditch Diggers getting the nod for Best Fancast early in the morning, and I was very happy. I waited impatiently for Matt to wake up on the west coast so we could exchange excited texts and Office quotes all morning.

WE ARE WARRIORS

I had lunch with friends, where Ursula Vernon and I quietly celebrated our nominations (she was nominated in Short Story and the new YA Not-A-Hugo – congrats, Ursula!). We went out for coffee afterwards, and then I got the email about Escape Pod being a finalist for Semiprozine. This is the first Hugo nomination for any Escape Artist podcast, and the first time a podcast magazine has been nominated in this category. I informed our publishers and then had a “holy crap!” call with my co-editor, SB Divya. I’m so proud of our team.

Two nominations. I was feeling pretty damn cool about right now.


It was dope.

That night I played Overwatch and drank a glass or two of wine. This was officially “holy crap I’m nominated for two Hugos” wine.

Mood right about now.

Then the third email, the BIG ONE, came in. I had to throw the controller at Fiona so she could take over playing Lucio for me, and then I read the email and tried very hard to parse the meaning. I’ve never had a major fiction nomination before, and now my novel has been nominated for the Philip K Dick, Nebula, AND HUGO.

I’ll be attending WorldCon in San Jose in August, decked out, dressed up, and no matter whether I win or lose, it’s going to be an awesome night.

Three nominations, man. I never ever expected this.

Congrats to all of the nominees! Full list here.

(Future posts will have the report from NorwesCon and commentary on the Hugo ballot as a whole. Spoiler- it is DOPE.)

Meta, Personal

Hugo Eligibility Post

It’s nomination time for the 2015 Hugo Awards, given out this August at Sasquan, the World Science Fiction convention in Spokane, WA, and I thought I would make a list of the things I’m eligible for. Cause if I don’t tell you, you might not know.

Nominations close on March 10, 2015.

If you were a voting member of the 2014, 2015, or 2016 Worldcons you’re eligible to nominate (You have to get your 2015 membership before Jan 31 this year.)

And hey, if you don’t plan on going, you can still support the con, vote in the Hugos, and get lots of awesome ebooks for a supporting membership of $40. All the information regarding getting a membership and nominating for the Hugos can be found here. 

  • Best Fancast
    I Should Be Writing — I’ve been doing this show for 9.5 years. I’m fairly sure it’s the longest running writing show in podcasting. I’ve featured authors such as NK Jemisin, Lev Grossman, Lauren Beukes, Neil Gaiman, Connie Willis, China Mieville, Seanan McGuire, and lots more. It a love letter to SF from the struggling writer’s POV.
  • Best Short Story
    I had three* stories out last year:

    *I very much hope I remembered them all. I’m bad about keeping track…

  • Best Novel
    Ghost Train to New Orleans from Orbit Books — Zoe Norris writes travel guides for the undead. And she’s good at it too — her new-found ability to talk to cities seems to help. After the success of The Shambling Guide to New York City, Zoe and her team are sent to New Orleans to write the sequel. Listen to the book for FREE via podcast.
Personal

I’m small, but still sorry

Regarding the Hugos and the mess behind certain folks gaming the system, my stance was pretty much John Scalzi’s stance, that we can just read the works and vote as we see fit. Lately there have been several rebuttals to it, and they contain very good points.

His response was classy, as the guy tends to be. I am much smaller, and pretty sure I didn’t get blogged about (at least, no one emailed me) but I’m freely admitting my misstep here, just in case someone reads me but does not read Scalzi. All two of you.

Scalzi’s post today, listing the rebuttals here.

I wanted to quote one longtime ISBW supporter, Arachne Jericho, with this bit that really spoke to me (slur trigger warnings):

What struck me about statements like [that we can just read the works and vote as we see fit] is that they are made from a very privileged position: the position of someone who knows they will not be harmed by reading the works in question.

Why should words hurt? Because words are powerful; because words create the world we live in; because words have been used in the past to disenfranchise, discriminate, disempower. Here are just a few of those words: Slut. Nigger. Chink. Gypsy. Tranny. They have horrible power over those to whom they apply—and, conversely, little to no power over those who are outside of their definitions.

If single words can hurt, then ideas, which are expressed in multiple words, indeed, are expressed through essay and story, exactly what is being judged on the ballot—ideas can be downright harmful to a person even if they aren’t true. “Blacks commit crime and are thugs.” “Homosexuals are pedophiles.” “Asians are the enemy among us.” “Transwomen are crazy men.” “Autistics never lead fulfilling lives.” Again, terrible power over those to whom they apply, little to none over those outside of it all.

(Rape trigger warning)
I apologize for not thinking of this, because I have had this reaction: I can’t read some of the classic works of SFF (Thomas the Unbeliever, Stars My Destination, etc) because the protagonist is a rapist. Boom, book over for me. Protag could die in a fire, don’t care. No sympathy anymore, it’s gone. I blogged about this a while back and got considerable shit from some men – even a comment about “why do women get so upset about reading about rape instead of, say, murder?” which just fucking boggled my mind to the point where I didn’t even answer, because I figured anything I said would just be more “bitches be whining” to his sexist ears.

(One answer, in case you don’t know — and there are many more than one — is that you can be pretty sure your readers haven’t been murdered, but statistics say that some – probably many – of your readers have been raped.)

So I didn’t take the same heat Scalzi did, actually no heat at all, but I read the rebuttals and wanted to apologize anyway, because I said something super dumb. And I’m sorry.

Again, from Arachne Jericho:

This ballot is here, and it’s not going away; this much is true. But the marginalized don’t have to read those works. Both the marginalized and those who aren’t can all choose to not read those works.

It’s the great opt-out; when the world turns its back on you and ignores you, even when you manage to get on the ballot of one of the most prestigious—or at least, one of the most infamous—awards in the field….

I gotta say, that’s gonna leave a mark.