Archives: Books

Books to read! And Six Wakes press!

Today is the launch day for The Stars Are Legion by Kameron Hurley and Idle Ingredients by Matt Wallace. You should run and get both now.

I’m not endorsing them because they’re talented, which they are, or because they’re my friends, which they also are. But I’m bringing them up because I thought you might want some books to read after Six Wakes and Bookburners.

Kameron and I both wrote very female-heavy space opera books, and they’re coming out close to each other. So if you like Six Wakes you will probably like The Stars Are Legion.

And Matt’s Sin Du Jour novella series (of which Idle Ingredients is #4)  is like The Shambling Guides with catering, so if you like my stuff, you will like Matt’s. Start with Envy of Angels if you’re new to the series.

So really, reader, I’m doing this for you.

You’re welcome!

New press about Six Wakes I just had to share! This is from the Barnes and Noble blog:

Lafferty fearlessly follows the moral, ethical, and practical implications of this questionably idyllic future. How does quasi-immortality change what it means to be human? If our bodies are disposable, are we then our minds? And what if that mind is just a copy? It’s all very much grounded in the juicy mystery elements, but there are larger ideas behind it all.

And a part I particularly appreciate about the character of Dr. Joanna Glass:

[Joanna] raises questions about notions of perfection, and makes a powerfully rare, if understated, anti-ableist statement.

This was important to me, because even though the hacking that would “fix” Joanna’s genetically abnormal legs is illegal, it would be pretty easy for someone with her wealth and privilege to have it done. She chooses not to.

Venom out of costume: actress Teal Sherer

I was inspired, in part, by the character of Venom in Felicia Day’s gaming series “The Guild.” A horrible nihilist in the rival guild, she has a rare moment of frank, non-antagonistic vulnerability when she wonders aloud why she can’t have a wheelchair in the game like she has in real life, because she wants her avatar to fully represent her. (Pedantic Vork tries to explain how the ADA hasn’t really reached dungeons so it would be hard for her to move around, and then her character kills his.)

Also the the main character in John Scalzi’s Lock In, Chris, makes the same statement as people take sides in a debate about whether their “locked in” status should be cured. The locked in community has created a unique and rich alternate online lifestyle, and they would have to give that up if they were cured.

Those two stories had me thinking about pop culture’s usual view of disability, especially concerning science fiction and its desire to “fix” everything with futuristic technology. So I tried to address it in this book.

(Affiliate Link)

Adulting Hardcore [Artist’s Way, Overwatch]

I’ve started the Artist’s Way again- specifically the Finding Water, the Art of Perseverance book.

I have a weird relationship with The Artist’s Way. I’ve found it very useful. But it’s hard to read as an atheist; Cameron does her best to accommodate everyone, sometimes calling it God, sometimes the Universe. Essentially when you open yourself up to being creative, then God (or the Universe) sends you opportunities and gifts and stuff.

To reconcile this with my own beliefs (or lack thereof) I see it as opening yourself up to creativity just makes you open your damn eyes and look around you. Opportunities are there all the time, but usually we don’t think they’re for us, like the delivery person standing on your stoop with a bouquet of flowers. “Sorry, you must be at the wrong house.” Or you don’t even see something as an opportunity. But doing the Artist’s Way helps you look around and maybe just try something you wouldn’t have otherwise.

Julia Cameron either is brilliant or she is knows a good thing to milk: all of her programs have the same basic principle: write 3 pages of longhand every morning. Go on an “artist’s date” alone during the week. She’s also included walking in the program by now, but I don’t think it was part of the first one. But they all focus on a different part of the artist’s life, usually in memoir form.

Finding Water came to me right when I needed it. It’s a meditation for artists who have a career but may be feeling a slump, or imposter syndrome, and how to get your focus back. I picked the book up last year when I was feeling some particular professional jealousy, and read the first chapter. It was just what I needed. (note I said least year; I didn’t start doing the program hardcore until recently. Honestly I hate morning pages. So I do them, drop them, pick them back up.)

I’m starting week 3 now, and I’ll report back in later to say how i’m doing.

I started playing Overwatch (PS4). It was hard for me to warm to because I a) am not good at shooters and b) hate playing online games with strangers. But I should have trusted Blizzard. The only game design they’ve ever done that I’ve disliked is Hearthstone. (I just don’t get it. It’s a card game when I’ve played better card games on other apps. What am I missing? Anyway. I digress.) Overwatch is designed with four kinds of characters: offense (high damage), tanks (high defense), defense (neutralize the other team), and support (healing, buffing.) The vastly different characters offer a style of play that works for different people.

Junkrat, totally not the Evil Midnight Bomber or the Joker.

“You’ll never prove a thing, copper, I’m just a part time electrician…bad is good, baby! Down with government!”

I find myself liking the support characters (Mercy the valkyrie and Zenyatta the robot monk) and the occasional defense characters (Junkrat the Evil Midnight Bomber What Bombs at Midnight and Mei the climatologist). When I play offense I just turn into a smear on the ground, and I have never enjoyed tanks.

What Blizzard has done so brilliantly is take an idea from Splatoon and take it a step farther. To keep people (teen boys) from frothing all over the game with homophobic and sexist slurs, they don’t have a chat function on the console. There isn’t an obvious way to choose a team, although my daughter says it’s possible.* You can do vocal team chat, but since you can’t choose a team you could be playing with people all over the world. The options to communicate with people are signaling in game things like Hello and I need healing. There isn’t a gay slur among them.

You can unlock other things to say. (I unlocked Zenyatta’s saying “I dreamt I was a butterfly,” which I love) You can unlock things to spray on the wall. I am of course unlocking all sorts of awesome skins and sprays and sayings for people I don’t play at all, but I figure the more I play, the more shit I will unlock.

When we got Overwatch, my daughter started playing on my account (long story, misunderstanding, let’s move on) and pushed my level up. I feel like I should apologize to people because it says I’m level 16, but I promise i’m not playing like a level 16 player. So if you see mightymur out there flailing about, blame my kid.

Yeah. All her fault that I’m not good at this game. Totally…

Anyway. I love it. Despite my moans of despair when we are against a team of fucking sniper campers who destroy me the moment I respawn, I actually am having fun. It’s what I needed after last week’s stress of book launches** and turn in.

And so he says to me, you want to be a bad guy? and I say Yeah Baby! I want to be bad! I says Churchill space ponies I’m making gravy without the lumps! Ah ha ha ha ha haaaaa!!!!!

* This is not an official review. I’m just saying this from what I’ve experienced playing the PS4 version. You may indeed be able to do these things, but I choose not to.
** The books are still getting great reviews. I got a very flattering email from someone Friday night – I won’t say who, cause I don’t have their permission, but goddamn, did it make my weekend.

2016: Reading


For the record, I took this screen shot before the year was up. So I still have time to win…

Yesterday I was looking for pictures of myself I’d posted in this blog. Aside from the fact that it was very hard to find any, it meant that I read several old blog posts. I got to the end of year 2015 post on reading and was astonished. I’d forgotten that I’d made a pledge to read as many of the books that I already owned (aka from my existing To Be Read pile). I’d reduced my Audible subscriptions to 1 credit a month. I had a Plan.

After a few months of buying more Audible credits so I could get more audiobooks, I finally turned my subscription back where it was.I didn’t just fail at this. I completely forgot I’d created the goal in the first place. That’s impressive.

Of course, the year was a shit fire, and I find comfort in buying books. And I like to support my friends. And publishers often send me ARCs from people I interview. So the books kept coming in.

I don’t know if I can try to make the same attempt this year. Too many good books are coming out, such as The Stars Are Legion by Kameron Hurley, Seven Surrenders by Ada Palmer, The Stone Sky by N.K. Jemisin. I think I will, however, start keeping track on Goodreads of books I already own as opposed to books I purchased. Or I could totally cheat and just preorder all of the above today. That could work…

If you don’t know, I track my reading on Goodreads, but I neither engage with any of the flame wars there, nor do I often review books. I know several authors review books professionally, but I don’t find it something I want to do. I don’t want to harm a friend’s sales, but I don’t want to just throw around 5 star reviews either. So I just mark that I read it. (I may be more honest with books outside my field, such as nonfiction or graphic novels.)

This year I nearly made my goal of 80 books read. I re-read some of them, which didn’t make Goodreads’ official tally of books read, since you can’t list that you read a book on different dates (you can make a separate shelf for rereads, but the official Goodreads number comes from the date you read the book. If you mark a book as read but don’t give it a date, then it doesn’t go into the tally.)

Favorite books? Nah. I know how shitty I feel when I’m left off a blog post of “Best Books/Podcasts of the year!” so I try not to make my own. If you want to see what I read, check out my Goodreads shelves.

Called it. Entitlement, ahoy.

Harry_Potter_and_the_Cursed_Child_Special_Rehearsal_Edition_Book_CoverI was walking with Ursula by B&N the other day (who the hell am I kidding, we were playing Pokemon Go) and there was a HUGE ad in the window for the upcoming Harry Potter script. Curious, I looked closer. Yep, it said ‘script.’

“I wonder how many fans will freak the fuck out when they buy this script and find out it’s a script,” I said.

Ursula said probably a lot of them, considering how they reacted when she wrote a book for adults that very obviously didn’t say “Harry Potter” anywhere on the book (except for maybe “Rowling’s other works include Harry Potter” – I don’t know, I didn’t read it.)

Well, we called it. The Telegraph reports today: ‘Rowling, you owe your fans a BOOK!’: Harry Potter fans outraged that Cursed Child script is, in fact, a script. 

I’m not the biggest Harry Potter fan. I mean, I enjoyed the books; I read them all. They weren’t the best thing ever; the writing was sometimes weak and full of plot holes (TriWizard Cup, anyone?) that showed the magical world was in fact a hell of a lot more complicated than the muggle world and no one in their right mind would want to live there (nearly every method of travel – broom, floo powder, portkeys – sounds horrible), but Rowling had the knack for creating a world you wanted to fall into. Her imagination is masterful, and her ability to plot (aside from holes) was great. You could see a lot of the plot coming early in the first books, if you paid attention.*

I liked all the books. But I’m not a huge fan.

I was satisfied with seven books. And I knew this book was a script and usually don’t read those for fun. So I decided to pass on it for now.

Now, if I’m not the biggest Harry Potter fan in the world, and I knew this was a script, then how can people who obsess about Harry Potter miss that a play was announced? Did they catch the news that there was ridiculous fussing about Hermione cast as a black woman? That this new publication was a script?

The title of the article is something that enrages me. Rowling owing her fans something. Nothing about the book was hidden. Her name is larger than the other two writers, but it’s not hiding the fact that there are other writers. It says “Script” on the top of the cover. The book clearly says, “Here is a Harry Potter story written by Rowling and friends, in script form. Pay $18 if you want it.”

That’s what she owes you. If you pay your $18, then she owes you a script that she and a few other people wrote. Because that’s what she promised. But what the entitled fans read is: here is a Harry Potter story written by Rowling and friends, in script form. Pay $18 if you want it.”

I really think that if your fragile life could be ruined by the release of a book that is something you don’t expect, you should probably research stuff before you buy.

Movie-Ghostbusters-2016-2Incidentally, along the same lines, if you think a movie could ruin your childhood, then DON’T SEE IT. (coughGhostbusterscough)**

*Yeah, I got in trouble with a listener who was furious with me for saying that Ron + Hermione was an obvious match from the beginning.

** Ghostbusters was awesome. I’ll write about that later.

Beyoncé Was Right: Madeline Ashby Guest Blog

Madeline Ashby is one of those people who is so damn smart she kind of intimidates me. Luckily she’s very kind and awesome, so I’m delighted to feature her on a guest blog to talk about an aspect of the writer’s life that many find difficult to navigate: money. Watch for an upcoming interview with Madeline on Ditch Diggers, and hear her previous interview on ISBW #316. And THEN get her new book from Tor, Company Town.

Company Town

Company Town

Beyoncé Was Right
When I asked if I could write up a blog post in support of my new novel Company Town, our dear hostess asked for a guestblog about the business of writing. So I thought I would tell you all a juicy story about a time that I didn’t get paid, and how I resolved the situation.

First, some background: I’m a science fiction writer and a futurist. What that means is that I write science fiction prototypes for clients who want to know how humans will use their products, platforms, or technologies. Or, alternatively, I write stories about the future of a given thing: like a world without antibiotics, or urban warfare in a smart city, or disaster management, or what have you. It was on the strength of this career that I was asked to write for a publication that was expanding its subject area, and adding a technology vertical to its existing masthead.

Right away, something seemed off. I had to fight for a byline, despite already having my own bylines elsewhere. And, as so often happens, that first impression was dead on. My pitches went ignored. My content management software license took forever to appear. When it did, it was bloatware that crashed my computer — but the editors knew the developers, so there was no other alternative. One simple 350-word assignment was turned back nine separate times, with nine different contradictory edits. After a week without answering any of my emails, they fired me.

Then, for months, they refused to pay me.

Now, I have been very lucky in my career, to work with wonderful clients who value my work. I am truly privileged in that regard. I’ve been invited to board rooms and hard lofts, by startups and industry leaders. With my clients I’ve collated sticky notes, appeared at day zero events, and even taken part in group meditation sessions, and I’ve had great fun doing it. And then I’ve gotten paid. Promptly. So this was a new situation for me. I asked other freelancers how they had handled similar issues, and they told me I should probably wait at least three months before seriously raising the issue.

So, I waited. And waited. And waited. And then I raised the issue with one of my contacts at the company. I raised it again. And again. And again. When emails didn’t work, I called. Week in, week out, I called. When it was clear that my calls weren’t providing the proper motivation, I realized I had to get creative.

With that in mind, I called the publisher’s main office. I explained my situation as plainly and politely as possible. The young woman on the other end of the line was very pleasant, and very sympathetic, and had no idea how to help. “Do you have a payroll department?” I asked.

“Not really,” she said. “We all just get paid by Mr. ______.”

“Mr. ______?”

“Yeah. I think so. It’s his name on the checks, anyway.”

“….Can you spell that for me, please? Thanks so much.”

Mr. ______ turned out to be very accomodating, once I found him on LinkedIn. I explained the situation, and named the people I had dealt with, and the fact that I hadn’t been paid for months. The next day, my money arrived.

Best Revenge

What is the moral of this story? First, trust your instincts. The gig was never a good fit for me, and I should have bailed earlier to save myself the stress and to give myself the opportunity move on to something better. Second, you can always go another level higher on the food chain to resolve a problem. Anyone who’s ever worked a service job knows this — “Let me find my manager,” is the most magic phrase there is, aside from “Let me buy you a drink.” Third, and most basic, don’t talk to editors or administratives about missing money. It’s literally not their department. That’s a job for finance, or accounting, or payroll. They’re the ones who process checks. Your editor doesn’t know where your check is. Your editor will ask someone in payroll. So, save yourself and your editor some hassle and ask payroll. That will help preserve your relationship with the editor and it’ll get you your money faster. When in doubt, trust in the wisdom of Beyoncé: Always stay gracious; the best revenge is your paper.

Reading 2015, Goals for 2016

In 2015 I made a goal to read only* women, PoC, and other marginalized voices this year a la the Tempest Challenge.

* well, as many as possible. I couldn’t skip all cis straight white dudes, because I had research to do, (and I decided not to stop reading comics based on the makeup of the creative team, but I did put all of Kelly Sue DeConnick’s and Gail Simone’s indie comics on my pull list and no regrets there!), but I did my best. I tried to keep track via Goodreads, which indicates I read 70 books this year and of those, 53 were written by marginalized voices (as far as I know).

So what for 2016? I will certainly keep my focus on reading marginalized voices (there are several I didn’t get to), but this year I want to focus on a new problem: my TBR pile is just too big. I know that everyone says that, and in some cases it’s almost a matter of pride. But I think I perhaps will actually try to do something about it this year.

So in 2016, I will read only** books that I already own. Ebooks, audio books, and paper books. There are a lot.*** I’ll be keeping track on Goodreads again if you want to keep up (I have over 500 books on my Want To Read list), and I’m still tracking women, people of color, and I may add a GBLQT tag (but it’s admittedly harder to track that – I think the Queers Destroy line might help me make an author list to start with).

** Except for:

  1. Gifts. I will tell my loved ones I’m trying to cut back on book buying, but if given something I won’t say no.
  2. Like 2015, I will purchase research books and accept books for blurbs and interviews.
  3. Comic books
  4. Audiobooks – I have downgraded my monthly credits from 3 to 1. It’s good to have if I need for, say, those research books, etc.
  5. Also I had a moment of weakness and bought a bunch of books today, 12/31. I’m only human.

I think those are my only exceptions. It will be tough. Book shopping a big time retail therapy for me. But this will let me finally read a lot of things I’ve owned for far too long (I’ve had the Gay Talese biography longer than Jim and I have been married), and finally get to talk about certain books I’ve only nodded along about.

Wish me luck.

*** I admit that this may embarrass me – “wait, you haven’t read [IMPORTANT BOOK] yet???” but I must soldier on. Better to read stuff late than not at all.

Review: The Christmas List by Chrissie Manby

xmaslistI found this novella on Audible while traveling by myself last November and wanted something short and comforting.

Millie Arnold is a young British woman who works in an office, loves Christmas about as much as I do, and loves loves LOVES her man, Duncan.

Seeing as how she starts the book utterly in love, you can guess what happens.

Millie is dumped on November 29th, and the crushing depression (and hangover from Bailey’s and orange liqueur) threatens to ruin Advent. But for the sake of her young nephews, she attends their family December 1 lunch to write letters to Father Christmas with the boys. And wishes start to come true.

Think of it like The Monkey’s Paw, but Christmasy. The wishes are not fulfilled in the way that Millie intended. Nothing dire (well, no one comes back from the dead), but they still aren’t exactly what she wanted. For example, one of her first wishes is for flowers. A week later, three dozen red roses show up at her door. Delighted, she takes them, but finds that not only are they NOT from her ex-boyfriend, they’re not even for her; there’s another woman’s name, an apology, signed “John.” The deliveryman got the address wrong. She calls the florist who urges her to keep the roses since she’s already arranged them.

Later, the way some of the wishes are granted are still far from the realm of intent Millie wanted, even though with her second letter, she tried to word everything very carefully.

This could easily be a book that tanks because, frankly, Millie is a wretched whiner to start out with. But her character is deftly balanced by her doting, but cynical, older sister Cal, who comforts her without coddling her. The florist is an angry agent of fate, determined to fire her deliveryman and punish the guy who bought the roses “He had his secretary order them! Just said to send something appropriate! You keep the roses and I’ll send chrysanthemums and maybe his girlfriend will have another think about him.” Then she goes on a tangent about dogs. And then there is the charming and slightly dorky Mark Clark on the radio, a local DJ and minor celebrity that they listen to at the office.

It also helps that, with the aid of Duncan’s next door neighbor (“I don’t mean to be lookin it’s just that he hasn’t replaced the curtain rod that fell down six months ago!”) and her friend who professes to be psychic (although the one bit of information she had on Duncan came through gossip, not the stars,) Millie does begin to not only get over Duncan but also discover that their relationship wasn’t all it was cracked up to be.

Like A Christmas Kiss, this is actually a story about a woman learning her own self-worth first, and finding love second. The love story is pretty minor, coming only at the very end. The climax is surprisingly exciting for an otherwise mundane tale of a broken heart, and the story is set up quite deftly with plenty of foreshadowing.

Flaws: I’d actually prefer this longer. I’d like to see more of Millie’s transformation, and somehow more with the florist. She was a hoot. I actually have no idea how old anyone is, which threw me off a few times.

Stars: N/A (audiobook)
Storytelling: 4/5
Characters: 4/5
Closeness to Christmas Carol: 0
Feminism: 5/5
Romance: 2/5 (this is rating quantity, not quality)
Is Christmas Saved?: Definitely
Number of British car names I didn’t recognize: 3
Random thoughts: This is a Kindle single, so you can get the ebook, but if you like audio I HIGHLY recommend the Audible version, as the narrator is excellent with her different accents.

Christmas Reviews

It is not a secret that I’m a big Christmas softie. I’m not fond of romances* but I devour Christmas romances. Christmas romcoms? Even better. I’ll tear up at any movie above 2.5 stars. It’s just who I am.

One of the few things I regret about losing cable is missing out on ABC Family’s 25 Days of Christmas programming. All the other stuff I can get eventually via Netflix, Hulu, DVD, or Amazon Prime. But it’s hard to keep up with 25 days of programming on a channel you don’t get.

So anyway, a few years ago I reviewed Christmas songs, and this year I’ve watched several movies and read several books and I will be bringing them here so you don’t have to wonder which you shouldn’t waste your time with.

I will rate on several levels:
Closeness to Christmas Carol
Feminism **
Is Christmas Saved?
Any other misc categories I come up with

Hope you enjoy them. This should be fun.

Some future reviews (And I will take requests):


Christmas Kiss
Marry Me For Christmas
12 Dates of Christmas


Trading Christmas
Miracle (And Other Christmas Stories)
Call Me Mrs. Miracle
The Christmas List
Bah! Humbug
Dashing Through the Snow

* I’m not putting down romances, not at all. I love a good romance subplot in a book, but I rarely pick up a straight romance that doesn’t have other genres woven in.
** If a Christmas movie stars a woman, it almost inevitably has to do with her career, an old love left behind, or giving up on her childhood home. Movies that encourage women to quit the high profile job to come home to high school crush and her small town family really piss me off. And there are some that are surprising in their pro-woman storytelling.

The latest bushel of news

Apple Harvest photo by Mike McKay via Creative Commons

Do you measure news by the bushel? I do, now. Here is the news from the harvest. Or something.

I took a good chunk of September off to finish my book, tentatively titled Six Wakes. I left social media, blogging, and did minimal podcasting. And I kinda forgot to announce this. Sorry about that.

But the book, at least draft 1, is done. I’m happy with it. It went some places I didn’t expect, which is always exciting. I know there are some things I need to fix on rewrite, and only hope that my editor and I agree on which areas need fixing. It was a hard slog. I was behind, and had really built up a lot of angst about how to write this book. But when the deadline began to loom, I got to work.

I may do NaNoWriMo this year, but on the other hand, September was my NaNoWriMo. I won’t tell you how many words I wrote, but it was a lot.

I’ve taken some days to recover. There was the mental strain, but also on the last day of writing I did so much that my right shoulder and neck muscles locked up big time. After five days of menthol patches, painkillers, massages, heat, and a massage pillow, I am finally feeling no pain when I sit at a desk. Now that I’m back, I have major work to do for the launch of Mothership Zeta this month, and some other work on some outstanding Bookburners work, and I have to think about the next thing I’m writing.

Well I’ve already thought about that last thing. I want to do a Christmas story, as I haven’t done one in a while. It will be set in the Shambling Guides universe, and have Zoe taking an unexpected trip to London during the holidays. I started it last night.

Other things upcoming for me: this month at Ditch Diggers, Matt and I are interviewing the amazing comic book writer Kelly Sue DeConnick. For ISBW I will be doing the debriefing on my novel. And for the Patreon supporters, I will be doing yet another NaNoWriMo note for every day of November. May be audio. May be video. Who knows? And to get these little nuggets of support, all you have to do is pledge a dollar. Yup. EVERYONE who supports via Patreon will get this special series of audio and video. *

For the rest of the year, I will also be showing the Softer Side of Mur when the holidays come around, as I’ll be reviewing Christmas movies and books. Many of them will be romcoms.** Unsubscribe as you like, haters. I like what I like. There is a place for SF and romantic comedy in my little heart. But I won’t be holding back. I will warn you off the bad ones. And lordy, there are some bad ones.

SPEAKING of Bookburners, episode 5 comes out this week, which starts the second chunk of stories. If you’re not aware of how we divvied it up, four of us split the season into four episodes each, and we’re more or less evenly spaced, having one story in each set of four. (meaning I could have written episodes 4, 8, 10, and 13 instead of, say, 5 6, 7, and 8. I think I wrote those four. Numbers are hard, I just remember plots.) Regardless, my first story, Episode 4: A Sorcerer’s Apprentice, is out now! Here is a peek:

Browsing Asanti’s library by herself was Sal’s new favorite hobby. She had never seen a place like this, though it reminded her most of a moldy old library relatives had shown her in Savannah, Georgia, with humidity-damaged first editions of The Adventures of Tom Sawyer and Gone With the Wind and A Christmas Carol.

Her team kept suggesting she should relax between missions. She really didn’t need to be at headquarters sitting around, they said, why didn’t she enjoy Rome when she had the chance? But in a city where she didn’t speak the language and had few—all right, the number was closer to zero—friends, Sal had nothing to do. There was only so long she could read, listen to music, and lie over Skype to friends in America about her life in Rome. At least here in the library she could learn something, or maybe run into a team member and have a real conversation.

That’s it for me. How are you? ***

* No I’m not calling it a podcast. I am an old school angry podcast veteran who knows that podcasts are something (ANY file – video, audio, even PDF) you subscribe to via RSS. There is no RSS feed for this content. It is emailed directly to you, and you will LIKE IT. *shakes cane at clouds*
** I’ve already started reading. Because to review a lot of content, you have to start early. This is brilliant. I have finally found a way to enjoy Xmas stuff early and no one can fault me for it.
*** Yeah, I know I don’t allow comments here. Tell me on Twitter. Or email. Just know I’m thinking fond thoughts about you, OK?